Swedish stoner prog foursome MAMMOTH VOLUME share « The Kuleshov Effect » video; new album out August 19th on Blues Funeral Recordings.

Swedish stoner-prog veterans MAMMOTH VOLUME present their brand new video for « The Kuleshov Effect » today! The song is taken from their long-anticipated comeback album « The Cursed Who Perform The Larvagod Rites », to be released August 19th on Blues Funeral Recordings.

« Like Boss Keloid and King Crimson got into a fight with the modern sludge scene. It’s fantastic and you need it in your life. » — Metal Injection

« The twenty years between this album and the band’s last, seem to have made no dent at all on the group’s chops or their hypnotic command of stoner rock. » — Invisible Oranges

Stronger and weirder than ever, the godfathers of stoner prog return with their comeback album of genre-bending heavy rock fusion! Ready to blindside the world with massive riffs, unexpected instrumentation, and angular yet irresistible hooks, MAMMOTH VOLUME‘s approach remains utterly unique, just as it was when this innovative foursome reigned over the early, wild west days of the online stoner rock landscape with a trio of albums that captured the imagination and affection of the entire scene. Prepare yourself for a welcome reemergence, as ‘The Cursed Who Perform The Larvagod Rites’ is guaranteed to stun and delight fans of every sub-niche in the riff-heavy underground!

Watch new video « The Kuleshov Effect » on
🌎 Invisible Oranges // Slavestate 🇸🇪

‘The Cursed Who Perform The Larvagod Rites’will be issued in various vinyl formats (limited translucent yellow and dark red), CD and digital on August 19th through Blues Funeral Recordings, with an artwork by Johnny Dombrowski. ► Watch their latest videos « A Lullaby of Doom » and « Diablo IV« ! 

New album ‘The Cursed Who Perform the Larvagod Rites’
Out August 19th on Blues Funeral Recordings

Mammoth Volume was founded in the small Swedish town of Lysekil in 1996, during a recording session where Daniel Gustafsson was the artist and Nicklas Andersson was the sound engineer. Also at the session was Nicklas’ brother Jörgen (known then as THE metal singer in Lysekil). A friend of the three, Kalle Berlin, was invited to complete the lineup of the new band on bass, an instrument he hadn’t played before. A truly humble beginning. At the time, stoner rock was new, cool, and catching fire in Sweden, and Mammoth Volume immediately sought to differentiate themselves. Proggy sections, unusual melodic phrasings, jazzy breaks, shady tempo changes and wistful ballads became hallmarks of their sound.

A band who never thought anyone but friends and family would listen to their music signed with American record company The Music Cartel in 1998, and released their debut album the following year. Emails and phone calls began to flow in. The visitor counter on their official website increased noticeably, and Stonerrock.com – the place to be if you followed the genre – praised the record. 

Noara Dance was released in 2000, a seven-song EP on CD and vinyl. Another positive response followed, and the band embarked on small tours in Germany and Holland with Dozer and Terra Firma, among others. In 2001, A Single Book of Songs was released and hit like a bomb in the scene. The album won the year’s best album on Stonerrock.com, even though the record made it clearer than ever that Mammoth Volume was as influenced by Yes and Mike Oldfield as by Kyuss. The band took to the road for the biggest tour of their career across Europe, playing in some places to packed houses, while other venues were almost comically empty.

The first phase of Mammoth Volume came to a close with the release of the 17-song « DEMO » album The Early Years. With that, the band took a long break. They recorded a few demos in the mid-2000s, had a couple of rehearsals, gigs and recording sessions in the early 2010s, but all in a fairly underground way. But Nicklas always had the vision to restart the band properly, convinced that, with Daniel at his side, Mammoth Volume had more to give. At last, the band officially reactivated in 2019, stronger than ever, and ready to present their comeback album of genre-bending stoner-prog fusion to an unsuspecting world.

Jörgen « Aston » Andersson – Vocals
Daniel Gustafsson – Guitars, Keyboards
Kalle Berlin – Bass
Nicklas Andersson – Drums, Vocals, Percussions


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